People have been quick to clown Christian Combs lately pointing out the partying, the shift in content, the “I don’t care” energy. To the internet, it looks like someone spiraling or ignoring reality. But that’s only the surface. What people are seeing is a change: more nightlife, more provocative posts, less presence in polished spaces like fashion shows or major blog features. His circle looks smaller. The energy feels different. And naturally, the assumptions follow he’s c

This quote is absolutely insane when you sit with it for more than two seconds. The Quote "God called me into music because I grew up in a 20-bedroom mansion; luxury everywhere and my mum had all the designer bags." — Davido On the surface, it’s supposed to be inspiring. A rich kid who had everything but still followed his passion. But let’s be honest… the way this story keeps getting told? It’s starting to feel less like truth and more like performance. Because every time Da

Let's talk about respect. Let’s stop pretending we don’t see it. In an industry that loves loud personalities, overnight hype, and viral moments, DJ Tunez has been quietly and sometimes loudly shaping the sound, the culture, and the global reach of Afrobeats for years. Not just riding the wave… building it. And yet, somehow, he doesn’t always get mentioned in the same breath as the names he helped elevate. That’s exactly why the title OBAFIA hits different. It’s not arroganc

During an exclusive interview with renowned journalist Lamrana Bah on @truthmedia_sl. Sierra Leonean artist The Therapist sat down and said what many have been afraid to say out loud. He named three major issues holding the Sierra Leone music industry back. And the truth is brutal. Issue #1: We Rush Music Like It's Fast Food "Artists often record a song and release it the very next day without taking the necessary time to refine the sound and improve the quality." Let that s

CNN featured her. Think about that. A global media giant recognized a young Sierra Leonean artist Boii (Boimanya Martha Fahnbulleh Koroma) and put her on a platform most artists dream of. That should have been a national moment. A moment of pride. A moment of noise. A moment where Sierra Leone rallied behind one of its own and said, “This is ours.” But that didn’t happen. Instead? Silence. While Sierra Leone looked away, Nigerians leaned in. Nigerian producers filled her comm

Davido has repeatedly said people criticize him because his father is a billionaire. But that’s not the issue. He is not the only billionaire’s son in Africa. He isn’t even the only son of his father. The criticism isn’t about inheritance. It’s about behavior.

When the Recording Academy posthumously handed Fela Anikulapo Kuti a Lifetime Achievement Award at the 2026 Grammy Awards making him the first African artist to receive this honour it wasn’t just a recognition of music. It was a global acknowledgement of a man whose voice shaped continents and whose art doubled as resistance.

The argument for Wizkid being “bigger” is not entirely wrong it’s just incomplete. In today’s world, visibility is currency. Numbers feel objective. Streams, awards, sold-out shows, social media reach, and international recognition have become the primary way we measure success.

Every few years, Africa finds a new way to ask the same question just dressed in trendier clothes. Today, it sounds like: “Is Wizkid bigger than Fela?” On the surface, it looks like a harmless music debate. Fanbases clash, timelines explode, insults fly, and everyone thinks they’re defending culture. But beneath the noise, this question exposes something deeper and more uncomfortable: our growing inability to distinguish between popularity and power, fame and impact, numbers